Register    |    Sign In   |   
electronic MUSICIAN

XILS 3 Modular Synthesizer Florissant MO

The XILS 3 can be inserted as an effect for processing audio, either from a host track or from a realtime input signal. This is not a synth for neophytes. Although it includes presets, to get the most out of it (especially as an effects processor) you need to know synth programming - and the XILS 3 isn't always intuitively obvious, so there's a learning curve. Read more.

Time Saver Software Inc
(314) 830-3800
11 Royalty Ct
Florissant, MO
 
Red Line Inc
(314) 972-6200
100 Washington St
Florissant, MO
 
Biosoft
(314) 524-8029
PO Box 10938
Saint Louis, MO
 
Comtrak Technology
(314) 731-7039
5657 Campus Pkwy
Hazelwood, MO
 
Midwest Management Consultants Inc
(314) 895-3333
7001 Howdershell Rd
Hazelwood, MO
 
Eb Games
(314) 653-1810
295 Jamestown Mall
Florissant, MO
 
Lanswers Inc
(314) 895-1272
400 Brookes Dr Ste 101
Hazelwood, MO
 
Pick Professionals
(314) 522-4949
8920 Pershall Rd
Hazelwood, MO
 
United Technologies Corp
(314) 731-4422
7201 N Lindbergh Blvd
Hazelwood, MO
 
Cyberedge Technologies
(314) 653-2500
11863 Benham Rd Ste 101
Saint Louis, MO
 

XILS 3 Modular Synthesizer

THE SPECS

XILS3Operating system: Minimum OS Windows XP, Mac OS X 10.3.9
Formats: VST, RTAS (Pro Tools TDM/LE 7.0 or higher), AU; no standalone version
Copy protection: iLok or Syncrosoft eLicenser
Trial version: Time-limited but full-feature version for iLok or Syncrosoft eLicenser owners, limited feature version requires no dongle (outputs silence periodically; no saving or automation).
Web site: www.xils-lab.com
Street price: $199 (LE effects-oriented version for $49), available from online store

 

THE CONTEXT

The EMS VCS3 was one of the early, seminal synths from the ’60s. It eliminated patch cords by using a crosspoint pin matrix, with outputs on the vertical axis, and inputs on the horizontal one; sticking a pin at the junction of an input and output connected them. The XILS 3 is more “inspired by” the VCS3 than being a direct emulation, but the main reason we’re covering it here is because it can also be inserted as an effect for processing audio, either from a host track or from a realtime input signal.

OVERVIEW

This is not a synth for neophytes. Although it includes presets, to get the most out of it (especially as an effects processor) you need to know synth programming—and the XILS 3 isn’t always intuitively obvious, so there’s a learning curve.

The interface has two main panels: The right panel is nominally the “audio” section, with three oscillators, filter, envelope shaper, noise generator, reverb, ring modulation, and one of four virtual pin matrices. The left panel is more about control, with several tabbed views—modules, matrix, keyboard, sequencer, input, and effects (chorus and delay). The other pin matrices control routing for the various control elements.

While the synth is very cool and deserves its own review, let’s concentrate on the input section as that relates to processing external audio signals. The chain starts with a noise gate, then proceeds to a transient detector that provides a trigger signal (e.g., for envelopes). There’s also an envelope follower, and a pitch tracker that extracts the fundamental from the input signal and turns it into a virtual control voltage.

IN USE

With guitar, the envelope follower did a great job with filtering, while the pitch tracker works about as well as expected—you won’t get glitchless note-to-pitch conversion, but it’s useful for effects. I was surprised at the transient module; it detects plucks very cleanly, so triggering envelopes yields effects like super-sharp decays and attack delays. It’s also possible to use triggers for more esoteric functions, like resetting the step sequencer or LFO. With drums, the gating and filtering can be very effective, and adds another dimension when patched in parallel with the dry drum sound.

If you’re going to use the XILS 3 as a processor, you’ll need to do a lot of tweaking and routing to get what you want—so create a preset when you come up with something cool. You’ll find the manual helpful, but...

Click here to read the rest of the article from EQ Magazine

Discover Emusician