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VIR2 Elite Orchestral Percussion Tuscaloosa AL

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Tuscaloosa Music Service Inc
(205) 752-7524
1408 2Nd Ave
Tuscaloosa, AL
 
Tuscaloosa Music
(205) 752-7524
1408 2nd Ave.
Tuscaloosa, AL
 
Guitar Gallery Inc
(205) 758-2220
2300 Mcfarland Blvd E
Tuscaloosa, AL
 
Tuscaloosa Music Service Inc
(205) 752-7524
1408 2nd Av
Tuscaloosa, AL
 
Southeastern Music Gallery
(205) 345-1414
5500 Old Montgomery Hwy
Tuscaloosa, AL
 
Guitar Gallery Inc Tuscal
(205) 758-2202
309 Hargrove Rd. East
Tuscaloosa, AL
 
Stringed Instr. Repair
(205) 758-3838
2300 Mcfarland Blvd. #7
Tuscaloosa, AL
 
Decade Music Exchange
(205) 750-0095
620 14th St Ste F
Tuscaloosa, AL

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Eat My Beats
(205) 344-9118
1020 15th St
Tuscaloosa, AL
 
Stringed Instrument Repair
(205) 758-3838
2300 Mcfarland Blvd E
Tuscaloosa, AL
 
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VIR2 Elite Orchestral Percussion

( www.vir2.com , $399.95 street)

Fig6_EliteOrcPercussionFig. 6. The popular Kontakt Player includes sophisticated scripting options and effects.

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Orchestral percussion is a natural for soundtracks, but there’s enough percussion here to provide fodder for various types of music. The Kontakt 2 player (Figure 6) provides the audio engine, so EOP takes advantage of its scripting features to allow for articulations (flams, chokes, rolls, and the like), randomization, and other realismenhancing elements. Even better, these scripts are exposed; for example, you can edit the velocity, smoothness, and pitch for rolls with a stepsequencer- type interface, and edit triggering characteristics—although the well-chosen defaults generally obviate the need for editing.

The program also includes convolution impulses for rooms and halls, implemented in the appropriately- named EZRoom—basically just a drop-down menu with lots of ambience choices and wet/dry controls. Thirtytwo effects are available for insert effect slots or the four aux buses (inserts and aux buses handle up to four effects each), and there’s overall 3-band parametric EQ per instrument.

EOP is a good example of why large libraries apply even to percussion: Having alternate samples for triggering and articulation makes a huge difference in terms of creating realistic, satisfying sounds. If you need only basic orchestral percussion, the samples included with samplers and general-purpose orchestral libraries will probably do the job; but for the full meal deal, EOP represents a comprehensive, well-thoughtout collection.

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