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VIR2 Elite Orchestral Percussion Roswell NM

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Fastenal Co
(575) 623-0200
500 N Main St
Roswell, NM
 
Ginsberg Music Co Inc
(575) 622-5630
201 N Main St
Roswell, NM
 
Larry'S Music
(575) 546-9442
Po Box 375 926 East Pine
Deming, NM
 
Guitar Center Albuquerque
(505) 889-6300
6001 Menaul Blvd. NE Suite B
Albuquerque, NM
Store Information
Mon-Thur: 11-8
Fri: 10-8
Sat: 10-7
Sun: 12-6

Main Street Music
(505) 334-5210
210 S Main Ave
Aztec, NM
 
Ginsberg Music Co
(575) 622-5630
201 N Main St
Roswell, NM

Data Provided by:
Lesmens/Celebrity Ltd.
(505) 268-2111
5413 Lomas Blvd Ne
Albuquerque, NM
 
Strings & Things Music
(505) 325-5335
2207 E Main St
Farmington, NM
 
Guitar Center #410
6001 Menaul Blvd Ne #b
Albuquerque, NM
 
Flowers & Hubbard Inc./ Dba Hubbards
(575) 526-8884
108 Wyatt Dr
Las Cruces, NM
 
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VIR2 Elite Orchestral Percussion

( www.vir2.com , $399.95 street)

Fig6_EliteOrcPercussionFig. 6. The popular Kontakt Player includes sophisticated scripting options and effects.

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Orchestral percussion is a natural for soundtracks, but there’s enough percussion here to provide fodder for various types of music. The Kontakt 2 player (Figure 6) provides the audio engine, so EOP takes advantage of its scripting features to allow for articulations (flams, chokes, rolls, and the like), randomization, and other realismenhancing elements. Even better, these scripts are exposed; for example, you can edit the velocity, smoothness, and pitch for rolls with a stepsequencer- type interface, and edit triggering characteristics—although the well-chosen defaults generally obviate the need for editing.

The program also includes convolution impulses for rooms and halls, implemented in the appropriately- named EZRoom—basically just a drop-down menu with lots of ambience choices and wet/dry controls. Thirtytwo effects are available for insert effect slots or the four aux buses (inserts and aux buses handle up to four effects each), and there’s overall 3-band parametric EQ per instrument.

EOP is a good example of why large libraries apply even to percussion: Having alternate samples for triggering and articulation makes a huge difference in terms of creating realistic, satisfying sounds. If you need only basic orchestral percussion, the samples included with samplers and general-purpose orchestral libraries will probably do the job; but for the full meal deal, EOP represents a comprehensive, well-thoughtout collection.

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