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VIR2 Elite Orchestral Percussion Kailua Kona HI

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Conscious Riddims Records
(808) 326-7685
75-5719 Alii Dr
Kailua Kona, HI
 
Borders Books & Music
(808) 331-1668
75-1000 Henry St
Kailua Kona, HI
 
Kiernan Music
(808) 323-9777
81-6372 Mamalahoa Hwy # 6
Kealakekua, HI

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Easy Music Center
(808) 484-1360
98-425 Kamehameha Hwy
Pearl City, HI
 
Music Exchange
(808) 961-2124
792 Piilani St
Hilo, HI
 
Kona Bay Books
(808) 326-7790
74-5487 Kaiwi St
Kailua Kona, HI
 
Soundwave Music
(808) 326-2297
74-5599 Luhia F-6
Kailua Kona, HI
 
White Harvest Guitars
(808) 235-6154
45-659 Kulukeoe Street
Kaneohe, HI
 
Dan'S Guitars
(808) 942-2900
2000 S Beretania St Ste B
Honolulu, HI
 
Best Buy Store #763
(808) 525-7182
478 Alakawa St
Honolulu, HI
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VIR2 Elite Orchestral Percussion

( www.vir2.com , $399.95 street)

Fig6_EliteOrcPercussionFig. 6. The popular Kontakt Player includes sophisticated scripting options and effects.

Percussion samples tend to be short, so do the math: There’s 19GB of content, representing over 250 orchestral instruments including timpani, snares, orchestra bass drum, mallets, triangles, chimes, and gongs, as well as FX and some ethnic/world instruments.

Orchestral percussion is a natural for soundtracks, but there’s enough percussion here to provide fodder for various types of music. The Kontakt 2 player (Figure 6) provides the audio engine, so EOP takes advantage of its scripting features to allow for articulations (flams, chokes, rolls, and the like), randomization, and other realismenhancing elements. Even better, these scripts are exposed; for example, you can edit the velocity, smoothness, and pitch for rolls with a stepsequencer- type interface, and edit triggering characteristics—although the well-chosen defaults generally obviate the need for editing.

The program also includes convolution impulses for rooms and halls, implemented in the appropriately- named EZRoom—basically just a drop-down menu with lots of ambience choices and wet/dry controls. Thirtytwo effects are available for insert effect slots or the four aux buses (inserts and aux buses handle up to four effects each), and there’s overall 3-band parametric EQ per instrument.

EOP is a good example of why large libraries apply even to percussion: Having alternate samples for triggering and articulation makes a huge difference in terms of creating realistic, satisfying sounds. If you need only basic orchestral percussion, the samples included with samplers and general-purpose orchestral libraries will probably do the job; but for the full meal deal, EOP represents a comprehensive, well-thoughtout collection.

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