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Nylon String: Guitar Perfection Lebanon TN

Doing this kind of editing requires aspectral view of the waveform (Figure1) so you can easily recognize thedifference between the artifacts andthe notes themselves, and performthe digital audio equivalent of a "window splice" in the frequencyspectrum. I use Adobe Audition 3 forthis, although Steinberg Wavelab alsogives an editable spectral view.

Case Guitar Center
(615) 452-9871
670 S Water Ave
Gallatin, TN
 
Music & Arts
(615) 264-8686
Glenbrook Center, 1050 Glenbrook Way, Suite 460
Hendersonville, TN
 
Sam Goody
(615) 449-0882
621 S Cumberland St Ste G
Lebanon, TN
 
Shiloh Music Center
(615) 758-9437
4066A N Mount Juliet Rd
Mount Juliet, TN
 
Samick Music Corp
(615) 206-0077
1329 Gateway Dr
Gallatin, TN
 
Tom Smith
(615) 968-8298
Hermitage, TN
 
Music & Arts Center #78
(615) 264-8686
1050 Glenbrook Way Glenbrook Center Ste 460
Hendersonville, TN
 
Toppers Music LLC
(615) 444-4042
102 N Greenwood St
Lebanon, TN
 
Superior Music Service Inc
(615) 758-4743
11117 Lebanon Rd
Mount Juliet, TN
 
Music City Satellite LLC
(615) 206-9000
887 Douglas Bend Rd
Gallatin, TN
 

Nylon String: Guitar Perfection

0.000EQ0110_Tec_GuitarAssuming you want perfect, of course.

Part of what makes the nylonstring guitar such an interestinginstrument is that it has a rich vocabularyof artifacts, from fret buzzes toslides to fingernails scraping on thelower strings’ metal windings. In factmany samplers include samples ofthese sounds, which can be broughtin by (typically) hitting a key harderor using a controller, to help create amore realistic emulation.

However, there can be times whenthe artifacts are a distraction ratherthan an enhancement. Before digitalaudio editing came along, there wasn’tmuch you could do about the situation,but that’s changed: It’s now possible tosurgically remove, or at least reduce,many of these types of artifacts.

I first used this technique whenworking on a classical guitar albumby an artist who had some healthproblems at the time. Most of hisplaying was exceptional, but occasionallysome notes sounded “tentative.”I found that in those cases,there was some sort of sound precedingthe note itself, and deletingthat sound made the note ringthrough with authority. Since then,I’ve used this technique with otherguitarists to reduce or remove artifactsthat would spoil an otherwiseperfect part. If you take this to anextreme, you can almost make a classicalguitar sound like it was playedby a robot with perfect technique—but I don’t recommend this any morethan I recommend using Auto-Tuneor Beat Detective on everything!

Gather Your Tools

Doing this kind of editing requires aspectral view of the waveform (Figure1) so you can easily recognize thedifference between the artifacts andthe notes themselves, and performthe digital audio equivalent of a“window splice” in the frequencyspectrum. I use Adobe Audition 3 forthis, although Steinberg Wavelab alsogives an editable spectral view.

With Audition, call up the file andgo View > Spectral Frequency Display.Adjust the resolution asdesired, then look closely at thenotes. Note attacks will have asharp, vertical line that extends fromlow to high frequencies. Artifactsalmost invariably appear just beforethe note attack. You can use any ofAudition’s selection tools to definethe artifacts as a selection; whenyou do, a level control appears. Youcan then use this to dial in the exactamount of attenuation.

Surprisingly, it’s often possible toremove the area completely and notbe able to hear that it was removed.Sometimes, though, you’ll need toreduce the gain (by a few dB) ratherthan remove the section to retain arealistic sound, or if you want to leavea bit of the artifact sound but make itless obvious.

Practice Makes Perfect

It takes a while to recognize what’san artifact and what isn’t, and todetermine the degree to which youcan reduce it. Life is often aboutcompromises, and this is no different;you’ll find problems you can’t fix, andconversely, you’ll be able to fix problemsyou thought were unfixable.

In any event, if you’re willing to takethe time to do this kind of detailedediting, you can produce the mostamazingly ...

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