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Enhancing Your System's Sound Quality Claremore OK

Did you upgrade your mixer, but not your monitor speakers? Nothing works in isolation, so consider where the best improvements can be made to enhance your system's sound quality as a whole, and don't obsess on any single area (like having the best mic cabinet in the world if you don't have preamps that are equal to the task).

Abs Communications
(918) 341-4405
1693 W Country Club Rd
Claremore, OK
 
Genesis
(918) 376-9599
11634 E 86th St N
Owasso, OK
 
Cim Integraters
(918) 272-8552
8263 N Owasso Expy Ste F
Owasso, OK
 
Tryon & Associates
(918) 455-3300
18531 E 121st St
Broken Arrow, OK
 
Beacon Information Technology Solu
(918) 747-2487
2424 E 21st St
Tulsa, OK
 
Somethin' Xtra
(918) 266-5897
26025 E Archer St
Catoosa, OK
 
Delta Software International L
(918) 274-7299
9102 N Garnett Rd
Owasso, OK
 
Tulsa Truck Depot
(918) 234-9200
15727 E Admiral Pl
Tulsa, OK
 
High Tech Resources Inc
(918) 481-8822
6120 S Yale Avenue 2 Warren
Tulsa, OK
 
National Instruments
(405) 527-4393
19900 108th St
Lexington, OK
 

Enhancing Your System's Sound Quality

BAD GEAR

Everyone’s favorite whipping boy, bad gear is often the first place many of us look to and point the finger at when something about our recordings doesn’t knock us out. And let’s face it: First-class gear sounds great, and that can’t help but make things sound better — but only if you know what you’re doing with it. I’ve been amazed by the quality of some recordings I’ve heard that were done on primitive or inexpensive gear, however, that says more about the engineer than the gear. Still, it’s important to scrutinize your system from time to time and probe for weak links. Did you upgrade your mixer, but not your monitor speakers? Nothing works in isolation, so consider where the best improvements can be made to enhance your system’s sound quality as a whole, and don’t obsess on any single area (like having the best mic cabinet in the world if you don’t have preamps that are equal to the task).

THE CURSE OF THE ADAPTIVE EAR

Even in a well-designed control room with great monitors, our ears adapt to EQ changes very quickly — that’s how you can enjoy hearing your favorite song on a cheap TV speaker or a high quality system. Our ears perceive the extremes of the audible frequency spectrum differently at different playback levels, with the flattest response being at about 85dB SPL. Our ears also tire after long hours, especially at unsafe monitoring levels. That EQ tweak that sounded great last night after 10 hours of playback at 105dB might not sound so hot the next morning. Having high-quality reference material that you can A/B with your mix can help you get back to reality when EQ changes start to throw off your perspective over time, and so can watching your levels and knowing when to quit when your ears have had enough for the day.

NASTY CONTROL ROOM ACOUSTICS

Thankfully, more people are starting to understand the importance of room acoustics (both for mixing and tracking), so we won’t belabor the point. But some people just throw up their hands and say, “My room was never designed to do acoustics, so it’s hopeless.” No it isn’t! Just a few strategically-placed bass traps or diffusors can make a huge difference, as can monitoring at lower levels if you use near-field monitors; that way, room acoustics become less of a factor.

LACK OF TECHNIQUE

There’s a certain charm in just randomly placing mics and turning knobs until you find something that pleases you, and you may be lucky and come up with a masterpiece that way. However, your odds of success are better if you have a basic understanding of how your gear was designed and how it works. But note that it’s equally important to know your gear so well you can make it do things it wasn’t originally designed to do; some of the classic sounds of all time came from people who knew how to mis-apply their gear as well as apply it — and created their own musical voice in the process.

SELF-DOUBT

Arrogance isn’t the answer, and self-examination of your weaknesses is a good thing now ...

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