Register    |    Sign In   |   
electronic MUSICIAN

4 Common Pre-Mastering Mistakes Brattleboro VT

Mastering is supposed to enhanceand even energize your mixes, so the process needs to be all about you and your music. In other words—get selfish. The perfect mastering engineer for you is someone who truly understands what your music is about, and who is willing to listen intently and seriously to your aural wishes.

Advance System Design
(802) 863-8652
75 Maple Street
Burlington, VT
Services
Audio / Video, Home Automation / Systems Integration / Home Networking, Home Theater, Multi-Room Audio, Multi-Room Video
Certifications
One or more employees at this company have achieved CEDIA Professional Certification status:- Chris Trombley, CEDIA Certified Professional EST II

Satellite Video/A.V. Electronics
(802) 295-1199
135 Beswick Drive, PO Box 4646
White River Junction, VT
 
Tree Ridge Enterprise
(802) 453-3335
2604 Mountain Road
Bristol, VT
 
Sound Vision Audio Visual-SVAV Inc
(802) 862-2309
277 Pine St
Burlington, VT
 
Power & Tel Enterprise
1453 VT Route 107
Royalton, VT
 
System Integrators, LLC.
(802) 758-5018
1276 Swinton Rd
Bridport, VT
Services
Audio / Video, Home Automation / Systems Integration / Home Networking, Home Theater, Lighting Control, Motorized Window Treatments / Home Theater Curtains
Brands
Lutron Homeworks, Crestron, Denon, Sim2, Bryston, ReQuest, Triad, US Tech, Nevo, Stewart Filmscreens, Vantage Controls, Harmony, Sony, Speakercraft, Mitsubushi, Fujitsu, Panasonic, Pioneer, Sharp Aquos, Dish, Auralex, GE Interlogix, HAI
Certifications
One or more employees at this company have achieved CEDIA Professional Certification status:- Richard Scott II, CEDIA Certified Professional EST II

Vermont Satellite and Electronics
(802) 253-6509
PO Box 3803Baggy Knees Shopping Center
Stowe, VT
Services
Audio / Video, Home Automation / Systems Integration / Home Networking, Home Theater, Lighting Control, Security / Access Control / Surveillance / Gate Access
Brands
Russound, Bay Audio, Denon, Pioneer, HAI, SpeakerCraft, Canton, Boston Accoustics, Marantz, etc...
Certifications
One or more employees at this company have achieved CEDIA Professional Certification status:- Scott Morell, CEDIA Certified Professional EST II

Vermont Home Theater
(802) 775-6779
230 North Main Street
Rutland, VT
 
Spirit Of Ethan Allen III
(802) 862-8300
348 Flynn Ave
Burlington, VT
 
Hollywood Video
(802) 658-9100
1336 Williston Rd
South Burlington, VT
 

4 Common Pre-Mastering Mistakes

Prepping your final mixes for a professional mastering session may be somewhat confusing if you’re used to mastering your tracks yourself (aprocess where you’re the boss and anything goes), or if you typically choose to bypass the masteringstage (leaving your stereo mixes asthe final versions people will hear). Happily, the basic rule for handing your tracks to a pro is an easy one: Leave the mastering engineer as many sonic options as possible. To that end, here are four missteps to avoid if you want your mastered tracks to really rip it up.

Don’t Hire an Insensitive Engineer

Mastering is supposed to enhanceand even energize your mixes, so the process needs to be all about you and your music. In otherwords—get selfish. The perfect masteringengineer for you is someone who truly understands what your music is about, and who is willing to listen intently and seriously to youraural wishes. If the engineer seems bored, overworked, or in love withhis or her personal mastering process (which is typically repeated time and time again for all clients,regardless of musical style), thenwalk away.

Other warning signs of a bad match might involve someone who seldom masters your type of music,someone who is totally unaware ofthe reference tracks you want yourown sound modeled after, and someonewho immediately takes the position that home-studio tracks sound like crap before even listening to your mixes.

Remember, you are spending good money to entrust someone’sears and skills with crafting a far better mastering job than you could everdo yourself. Make this person earnyour trust and respect before theystart messing with your music.

Don’t BringUnfinished Mixes

Now this seems like an extremely obvious—perhaps even insulting—tip,but you’d be surprised at how manypeople ask me to bring up the levelof individual instruments in the mastering process, as if I have some to psecretplug-in that can magicallytransform stereo mixes into multitracksand then back to stereo again.(I don’t.) It’s your responsibility to getyour mix levels and signal-processing sounding exactly the way you wantthem before you get to the masteringprocess. Too much reverb onthe vocal? The mastering engineerwill not be able to diminish it. Leadguitar too low in the mix? While anEQ or compression tweak might clarifythe guitar sound and make itmore prominent in the audio spectrum,you’re not going to be able tocrank up that puppy like you couldwhen you had it on its own faderduring the mixdown. Fair warning: Ifyou’re unsatisfied with a mix whenyou bring it into the mastering studio,there’s a damn good chanceyou’ll still be disappointed when youbring it out.

Don’t CompressYour Master Output

Many artists put a limiter or a compressoron the master bus to give astereo mix that extra oomph. Get ridof it! Compression not only limits theamount of dynamic information yourengineer can work with, it can alsoadversely affect the sound quality ofyour entire mix if you use a less-thanhigh-end unit or squash the stereosignal to near o...

Click here to read the rest of the article from EQ Magazine

Discover Emusician